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Correspondent: Dilan Peker
Bio YTU Elektrik, Dağcılık, Blues Music
2019
108 Vote
Country - UK
average Rating - 7,1 of 10 Star
movie Info - A couple's visit with their son takes a dramatic turn when the father tells him he plans on leaving his mother
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A together-forever couple (Annette Bening and Bill Nighy) unpack the many complications of splitting up, in Oscar-nominated writer-director William Nicholson’s razor-sharp drama. Featuring brilliant performances from Bill Nighy and four-time Oscar nominee Annette Bening, this exquisite drama from writer-director William Nicholson will resonate with anyone who has ever navigated the choppy waters of long-term love. Grace (Bening, also at the Festival in The Report) and Edward (Nighy) have been together for 33 years. To celebrate the occasion, they've invited their London-based son Jamie (Josh O'Connor) to visit them at their home on the Sussex coast, where the picturesque cliffs of Hope Gap look out onto the open sea. Communication between the couple is at a nadir, however, with Grace nagging Edward about his lack of enthusiasm and Edward, who has long felt inadequate in his marriage, responding by turning inward — and harbouring secrets. Edward is leaving Grace for another woman, a decision that will result in ongoing turmoil for everyone involved. A veteran of literature, film, and television, Nicholson received Oscar screenwriting nominations for Shadowlands and Gladiator, but nothing in his august body of work quite prepares you for the wit and wisdom woven into each scene of Hope Gap: no one is entirely innocent and nothing, after three decades of coupledom, is simple. The film's poignancy, of course, is dependent on its actors, and you couldn't ask for a more perfect pairing than Bening and Nighy, the former exhibiting an astonishing range of emotion and tactics, the latter tempering his trademark deadpan charisma in favour of a gravitas he's too rarely had the chance to exude. DIANA SANCHEZ.
This film is not yet rated Its rated (HN) for HELLO NEIGHBOR
Hope gap.
Im gonna take a guess and say its about catherine the great, who wasn't great at all.
🎶🎶🎶🎶🎶😘😘😘😘😘😘 Genial excelente Don Medardo y sus playes un gran homenaje saludos desde Ecuador Orquesta Candela😊😊💛💙❤🎶.
Best mixtape ever ever ever.
“This has been BoJack. Horseman, obviously”
If Bojack dies, we riot. warning you Netflix. Home apartment rentals. To think he lost his wife IRL. I'm not watching this. Too depressing. Hope gap cast. Hope gap tiff. Annette Bening in Hope Gap. Photo: Courtesy of TIFF In William Nicholson’s woebegone, autobiographical English drama Hope Gap, a meek-ish man named Edward (Bill Nighy) leaves his voluble wife, Grace ( Annette Bening), and Grace responds the way many educated British characters do as they plummet emotionally: She talks. And she talks. She cries out to her husband in sheer disbelief. She wheedles, needles, and muses histrionically on the meaning of matrimony and family and human and cosmic mercy. It’s not iambic pentameter, but Bening — enunciating in an English accent that had me pushing away images of Emma Thompson, as one would a stray thought while meditating — runs through periods (full stops, in the U. K. ) and inserts pauses mid-sentence, to suggest the squeezing of inchoate panic through the proper channels. The accent gives Bening an odd sibilance as well as an overbite I’ve never noticed: Have her very features been altered by her voice? It’s a fascinating performance, but Grace is too distanced — and too borderline insufferable — to relate to fully, even if you recognize her desperation in the face of abandonment, even if you’ve lived a version of that desperation yourself. The movie — having its world premiere at the Toronto International Film Festival — is a brief, sad little piece that doesn’t quite hurdle the blood-brain barrier and rattle you to the core, but it does achieve a half-sublimity, thanks to coastal settings with white cliffs that inspire both awe and thoughts of flinging oneself off, and also thanks to poetry. Grace’s pet project is creating an anthology of poems arranged by emotional states (like, say, the feeling of abandonment), and at various points the characters intone the words of those who’ve been here and done that. The big set piece, in fact, is Dante Gabriel Rossetti’s “Sudden Light, ” which begins, “I have been here before, / But when or how I cannot tell, ” and ends with a question — whether love will be restored “In death’s despite, / And day and night yield delight once more? ” Rossetti, the cliffs, and the swelling music (by Alex Heffes) supply what the characters cannot. You don’t blame Nighy’s Edward for leaving. You blame him for how he leaves, slinking off into the arms of a younger woman who has pushed him to sever his miserable marital bond. Nighy plays Edward in his familiar key of awkward formality, stammering and keeping his gaze guiltily low. Edward points out that Grace has found him so consistently annoying over the years that he wonders why she feels so angry and bereft — but if he wonders that, he doesn’t know much about how some marriages work. His sudden realization that he and Grace were never meant to be is moving, but despite several melancholy monologues, the character doesn’t have much stature. Much of our sympathy ends up with the couple’s 29-year-old son, Jamie (Josh O’Connor), whom Grace tries to use as an emissary but who isn’t very good at it. He can’t plead Grace’s case when he doesn’t fully buy it. The actor is affecting: He seems ultimately as puzzled by his parents’ union as the writer-director does. Nicholson is 70 and is primarily known as a writer, and in Hope Gap he doesn’t conceal his artistic flourishes artfully. The camera pans from dishes piling up in the sink to the mantle with its photos and lifetime’s worth of memories or hovers about the waves creeping over the rocks. Sometimes he will frame a character on the side of the wide screen, not so much to express alienation as to keep the person out of the boring center. But he does one thing very well: comedy. Bening gets a real performance rhythm going when Grace buys a dog she names Edward, like her ex-husband, and teaches him the command, “Stay. ” Bening seems more in her element snapping at the dog than she does delivering theatrical plaints. She’s marvelous when Grace volunteers for a grief hotline and ends up commiserating too deeply with her callers — I wanted even more of those scenes. But if Nicholson hasn’t decided whether the end of his parents’ marriage was a comedy or a tragedy, well — who ever does? He’s reaching for something he never gets: That’s not a bad way to lose. Unlike Grace, he loses gracefully. Annette Bening Gives a Fascinating Performance in Hope Gap.
Hope gap review. I cant believe I ever thought they would end this show without esteemed character actress Margo Martindale. The most human character on television ended up being an anthropomorphic horse. Hope gap british film festival. Bojack is ending and everything is worse now. Hope gap. Hope gap movie. Me estoy volviendo loco.
Plot twist: Mr. Rodgers changed his name from Steve to Fred after Endgame
This time it's his heart's that TAKEN. A great three hander dealing with relationships in a real way without being banal. Great use of dialogue and poetry. A mature movie that s satisfying without being trite. Hope gap plot. Hope gap east sussex. Hope gap trailer legendado. Hope gap official trailer. Hope gap imdb. Hope gap zwiastun. Para dar el Grito. Viva México. Al cabo que ni quería india perra. And that's a sharpie. and that's a finale. I'm going to miss this horse. Hope gap movie 2019. It was storming all night and all day. In fact, Harry’d received a call at about two o clock, which was Y/N telling him that the lights had gone out. All of the power in the house was out. Which meant, no air conditioning. They had been naked for about fifteen minutes now. “Oh, fuck me! ” Harry groaned loudly and dramatically as he and Y/N lay on their bed. “It’s so bloody hot in this damn house. ” Y/N didn’t even have the energy to speak. Harry glances over at her, and found he pouting and nodding in ageement. His eyes, naturally looked down a bit, her breasts on display for him. “Don’t bite your lip like that. It’s too hot to have sex. ” He didn’t even realize he was biting his lips. Oops, he thought. “Fine, what about a cuddle? ” “I suppose. ” He sighed as he got closer to me, wrapping his arms around my waist, his head landing right against my breast, his cheek on my nipple. He sighed peacefully. “Goodnight. ” Harry’s body was making Y/N even hotter, but she loved him and he seemed peaceful enough. Eventually, she fell asleep too. When Harry woke up about an hour or two later, the lights were still off and his skin (arms, chest, cheek) was sticking to Y/N’s. He pulled away with a yawn, smiling and kissing her cheek. He layed beside her, kissing her cheek a few more times. She woke up eventually, and she smiled when she noticed him pressing kisses to her cheek. “Morning, ” he laughed. Her eyes were still closed but her smile told him she was awake. “Hi. ” “Had a good nap then? ” She nodded as she sighed, then opened her eyes finally to look at him. “Don’t we have a lamp or something? ” She asked, cuddling closer to him. “Was just thinking about heading to the store, ” his hand was rubbing her back. “Gonna look for a fan, like a battery powered one. And a lamp. Whatever else you think we need. ” “Well…we are running low on one thing…” “On what? ” “…condoms. ” Harry snorted, “yeah? Can’t have that then, can we? ” He felt her shake her head against his chest. Then she kissed his chest, and pulled him a bit tighter. “Are you gonna come with me or do you want to stay here? ” She sighed. “I’ll go. ” They both changed quickly into comfortable clothes that would keep them cool before hopping into Harry’s Range Rover and getting on their way. As they drove, it was quiet, with no sound but the wind since they’d lowered the windows, that is, until Harry spoke reluctantly. “Hey…would you mind if-never mind. ” “Would I mind if what? ” She asked, turning to face him now and interlock his hand with hers. “Nothing, ” he shook his head. “ Tell me. We aren’t afraid to tell each other anything. ” “I know, I just know you’ll feel uncomfortable or whatever and it’s fine, I don’t want to put you in a situation that you don’t want to be in-“ “ Harry, just tell me. ” “I was just going to see if you’d mind if I stopped at me mums, maybe take her a few things. Just to make sure she’s okay but I know the two of you don’t really get along so it’s fine-“ “ Harry, I love that you worry about your mom. And wether she likes me or not doesn’t matter. Of course you can go check up on her. Never worry about the way I feel towards you visiting or helping your mom, because I’m always for it. Why don’t you call her and see what she needs, and I’ll help you find it, then I’ll wait in the car while you take it in. ” “Of course you wouldn’t wait in the car. ” “Well she isn’t going to want me in her home-“ “Last time I spoke to her she said she would try. That’s going to have to be today, ” he spoke as he called his mother. “Hello? Hey, mum…, ours is out too… I’m with Y/N…’re on our way to the store now, was wondering if yeah need anything? We’re gonna get a fan, lamp…whatever else we need…oh, really? Then yeah, probably some food too…yeah, send me a list, mum. Y/N and I will take everything over. She doesn’t care, mum. Alright, love you too. ” “Who doesn’t care about what? Did you just tell your mother I don’t care about something-“ “She said her living room is messy because she was babysitting today and never got around to cleaning up. Said you’d mind, and I said you wouldn’t care. ” “Oh. Okay…what did she say when you said I was with you? ” Harry laughed. “She said oh, okay. And she also mentioned that the radio said the power outage will probably last the week-“ “The week?! ” “Up to the week, but possibly a few days. ” Y/N sighed, sitting back in her seat. “Charge your phone now, because you won’t be able to do it in the house, ” Harry spoke. The store was crowded, as of the people of the city were panicking that they were going to have to spend a week with no wifi or juicers for their green drinks. Harry and Y/N made their way through the store as swiftly as they could, purchasing three battery powered fans and two cases of water bottles, one for themselves and one for Anne. “How many lamps should we get? ” Harry asked. “Uhm, I don’t know. We’ll need one for our bedroom, the bathroom, kitchen…three? Plus some for your mom? ” “So six? ” Harry laughed. “We’re gonna look crazy buyin’ six lamps. ” Y/N laughed as they both began to get lamps and put them into their cart. “We need batteries. ” “For what? ” Y/N asked. “…please tell me you’re joking. ” “I’m not…” “All of this is battery powered, ” he stated. “Yeah, so? Don’t they all come with batteries in them already? ” Harry laughed, “yes, darling but batteries don’t last forever. ” “Oh, duh, I don’t know why I didn’t think of that. I think I’m just nervous to go to your moms. ” “Don’t worry. We’ll stay for like ten minutes then leave. Just long enough for me to put this shit all over her house. ” “Okay. ” “Shouldn’t we get like a mini fridge or something? Since the fridge isn’t working? ” “Yeah, and we should pick up a few extra candles. And bags of ice, remind me. ” When they got to Harry’s mothers house Y/N was nearly shaking. “It’s okay, ” he promised just before she opened the door. “Hello, ” she smiled. For some reason, Y/N looked directly at Harry. He smiled. “Hey, mum, ” Harry kissed her cheek before she invited us in. Her house was dark, but she had the tv on, and lots of candles, she also had a few lanterns, so it wasn’t heard to see one another or her home. “How are you? ” She asked, but she was looking directly at Y/N. “Oh- uhm, I’m okay, ” Y/N nodded. “Thank you. How are you? ” “I’m okay, ” she said politely. It was awkward then. “Come in, guys, ” she led them further into her home. “Can I get ether of you some tea? Anything to eat? ” “I’m good. Y/N? ” Harry asked. The kitchen had candles around the counter, creating a dim environment where they could still see Anne. “I’m okay. Thank you. ” “Well, I’m going to go start putting this stuff up. Uhm-“ he turned around on his way out. “Be nice. Please, ” he raised his eyebrows at Anne. “So…” Anne smiled. “When will you be graduating? ” Y/N thought: she is either being judgy because I’m so young and still haven’t graduated uni or she was just being nice and trying to make conversation. She assumed the best. “Next year, ” Y/N miled. “That must be exciting, ” Anne grinned. “Come look at these pictures of Harry, ” she beckoned Y/N over to a vertical frame that held various pictures of Harry, after grabbing a flashlight from the counter. “This was his very first day of school, he was only four, going to pre-K, ” she smiled, and Y/N was melting. He had blonde hair and chubby cheeks and his signature cheeky grin. “Aw, he was so adorable, ” she gushed. Anne nodded and smiled at the pictures. “My Harry has always been a lady’s man, ” she smirked. “This was when he graduated from eighth grade, ” they looked at one another and at the same time stated one word, “ Dorky. ” Harry had extremely short, brown, curly hair and he held one thumb up, the other hand holding his eighth grade diploma, and he winked while grinning at the camera. “This was high school. And this last one was just a few years ago, he did a program, for his bachelors and masters at the same time. My little smarty pants. ” “Yeah, Harry is really smart. He helps me with my math work sometimes. ” “Oh, math? Harry’s always been good with numbers. Beats me where he got that gene from. Not me or his father, I can tell you that, ” she laughed. “Gemma isn’t good with maths either. ” “Harry’s very special, ” Y/N laughed, sort of beginning to feel awkward because there were no more pictures left and nothing else to talk about. “He is, ” she agreed. “Can be a bit of a workaholic though, ” her nose scrunched up. “Tell me about it, ” Y/N laughed. “He had the flu once and I had to beg him to stay home. ” “It’s good he has you, then. It’s good be a hard worker but it’s important not to work too hard. Stresses himself out, he does. ” “He sure does. I got him to take a vacation not too long ago. Lately he hasn’t been too bad about it. ” “Does he work nearly everyday of the week still? ” “Okay so we made a deal that he only goes in every other Saturday rather than every Saturday, so it’s a working progress, ” Y/N aughed, and so did Anne. “I’m done, ” Harry walked into the kitchen. Then he gasped. “ We’re laughing? ” “We are, ” Anne spoke. “At what a workaholic you are. ” “My company ain’t gonna run itself! ” He defended. “I know, baby, ” Y/N cooed. Then she remembered where they are. “Uhm, so you all finished up? ” “Yeah. Mum, I’ve got to go set up everything at our house and make a few phone calls to make sure the back up generators at work will be working tomorrow-“ “Here we go, ” Y/N whispered to Anne, and she smirked and nodded, agreeing with Y/N in a hum. “You’re an ass, lovey, ” Harry shook his head. “Mum, we’ve gotta go. I love you, ” Harry kisses her cheek. “Bye, baby. I love you, ” she hugged him. “Bye, Y/N. It was nice talking to you, darling. ” “You too, ” Y/N smiled. “What do you say, ladies? Can harry get a hug out of the two of yeh? ” Harry asked, and the two women laughed before sharing a short hug. “Harry! ” Y/N exclaimed after they got into the car. “Your mom might like me! ” “I think she does like you, and how can she not? You’re an angel. ” “I don’t know that I’m an angel, ” Y/N hummed. “You are. You’re my very own, personal angel. ” Y/N smiled and leaned forward to kiss his him. Their lips met in a soft kiss, and Harry hummed into the kiss, about to kiss her once more before she gasped. “ Fuck. Babe! We forgot about the condoms! ” He sighed, “it’s fine, we’ll stop at a drugstore quickly. How many do we have left? Enough for the week? ” Y/N shook her head. “Only three, baby. ” “That’ll last us until like tomorrow night, ” Harry laughed. “Guess we should go buy more. “Mhm, ” she nodded. “Because I wanna use two tonight, and one in the morning, ” she said innocently. “Is that okay? ” Harry sighed. “Don’t start with me. ” “What do you mean? ” Y/N reached over and placed her hand over his thigh as he drove off. “I heard you call me dorky. We’re not on good terms. ” “Aw, but I thought you said that I’m your very own personal angel? ” She pouted. “Y/N, ” he warned. “ Baby, if you don’t plan on fixing the problem you create in the car then I suggest you don’t start anything until we get home. ” She let her hand wander a bit more, until it was over the slight bulge in his pants. “Oops…I think I made a problem…” Harry clenched his jaw as he tried to remind in control of himself and his movements. His hand fell over hers that cupped his budge and he squeezed. “You’re gonna have to fix it. ” Y/N pulled him out of his pants easily, and he was semi hard already. She pumped him slowly as she leaned over and kissed his arm, near his shoulder (he wore a t shirt. ) She kisses his neck for a while, nibbling just beneath his ear until he had a hickey. “Mm, come here, baby, ” Harry cupped her cheek and kissed her lips as he drove. She could feel that Harry was fully hard now, and she was soon bent over and pressing kisses to Harry’s length. Harry moaned, “don’t tease, lovey. We’re almost there. ” Harry felt her take ahold of his shaft, and then he felt her warm mouth over his tip. He sighed, his hand gently resting against the top of her head. She hallowed her cheeks and began to suck, humming around him before she began to bob her head, because he clearly wasn’t in the mood for teasing and wanted to cum fast, before they got to the store. She dragged her tongue down his shaft then back up, and repeated the motion a few times. “Just like that, baby. Do that again, ” Harry was struggling to keep his eyes open as he drove. Then red and blue lights flashed, and they heard a cop siren for a moment. “That’s for us, ” Harry spoke in realization. Y/N was immediately sitting up and wiping her mouth with the back of her hand, and Harry was trying to push himself back into his pants as quickly as possible. There was knocking at his window a moment later. The officer flashes hi flashlight into the car, and in both of their faces. “You know why I pulled you over? ” “No, ” Harry spoke, with the tiniest dash of attitude, and Y/N wanted to slap him. “Your license plate light is out. I’m gonna have to write you a ticket. License and registration please. ” Harry sighed, reaching across Y/N’s lap and into the glove compartment. He handed the officer his registration and then got his wallet from his back pocket for his license. Harry handed it to the officer while staring ahead, clearly annoyed. Y/N was in disbelief at Harry’s subtle rude behavior. When the officer left to write the ticket, Y/N slapped Harry’s shoulder. “Ow! ” He rubbed his shoulder. “Stop giving him attitude, Harry! What’s wrong with you? ” “I was about to come-“ Y/N gasped, shocked that that was the reason Harry was being so childish. “Harry Styles, I-“ “Here you are. Drive safe, get that fixed, ” the officer spokes. “Likewise. Thank you, ” Harry said, and with that the officer left and drove passed them. “…let me guess…you’re not gonna finish me o-“ “ I’m not going to finish you off. ” - Y/N woke up two nights after that, crying. Harry was awoken by her slight tossing and turning, and her whimpers. “No, please…please, stop, ” she whimpered softly and quietly, tears seeping out of her eyes. “Babe? ” Harry hummed. “Stop, ” she whimpered once again. Harry began to shake her gently. “Lovey, you-“ “No, stop! ” She screamed, sitting up and opened her eyes. “Leave him alone! ” She screamed loudly before gasping and suddenly being left panting and trying to turn on the lights as fast as she could. “Baby? Harry? Harry? ” She turned on the lights and when she saw him, his eyes wide and a tiny bit pink from sleepiness, and his lips a bit bigger than usual—she began to sob. Her arms flew around his neck and she held him tight while crying loudly. “Are you okay, Harry? I’m sorry, ” she cried. “I’m okay, I’m okay, ” he assured. “What happened? ‘s the matter? ” She was sniffling and shaking and her shoulders were bobbing every few seconds—her breath hitched a few times before she quietly began to sob again. She never let go of Harry. “I love you so much, H, ” she pulled him closer and held him tighter. “I love you so much. Okay, baby? ” She pulled away, her tears covering her skin and sliding off of her jaw. “Okay? I love you so so much, ” she cried, hugging him again. She kissed the top of his head. “I love you. ” “Darling, I love you too but what’s the matter? Y’startin’ t’scare me, baby girl. ” She sniffled, her eyes squeezing shut as more tears fell. Harry wiped them for her. She kissed his cheek before speaking softly. “I h-had a be dream…and-“ a quiet sob left her mouth, it sounded almost like a whisper scream, and she covered her face with her hands while she cried and shook. And now Harry was scared. “Come here, baby, ” he wrapped his arms around her and kissed her head repeatedly. “What happened in your dream, huh? What happened? ” “R-remember the way they beat up that guys in that movie? And his face was all swollen and bloody and bruised? ” Harry nodded. “They-“ her voice broke before she pulled herself together. “They did that to you, Harry. And I couldn’t help you, ” more tears fell down her cheeks. “And you passed out and they lost punching you. Your face was going from side to side, your eye was swollen, your lip was busted, you were all bloody-“ she broke into quiet cries once more. “And I tried to make them stop, ” she covered her eyes as she cried, shaking her head because her voice broke and she just couldn’t speak. “I tried to make them stop but they wouldn’t. They were stronger than me. And I couldn’t save you. ” “Baby, ” Harry sighed. “Look at me, ” he cooed. “Look at my face, ” he said as she looked up at him. I was sound asleep, and were both safe. I’m okay, ” he nodded. “Nothings going to happen to me. Hey, ” Harry got her attention. “I can fight. Look at these, ” he slapped his own bicep and flexed. “Nobody can beat me up. ” She was giggling while tears slid down her cheeks. “Be quiet, you’re stupid. ” Harry laughed and pouted a bit before kissing her nose. “Serious. I’m okay. ” Her breath hitched a few times, and it almost made Harry tear up. “ Baby, ” he cooed. “I promise I’m okay. See? Nothings swollen or bloody or bruised, ” he turned his face from side to side. “ ‘cept for this, you gave me that one, ” Harry turned his face to the side and pointed to the hickey on his neck, below his ear, from the night in the car. He smiled when she smiled and looked down. “ Doesn’t hurt though, ” he assured quickly. “I quite like it. ” She hugged him then, and cuddled into him, rubbing her cheek against his chest. “I love you, bubba. ” “I love you more, ” he kissed her head and wrapped his arms around her shoulders. “I can’t wait to marry you. You are perfect and you always know how to make me feel better. ” Harry didn’t really know where that came from, those were strong words. But he just pulled her close and kissed her head again. “I can’t wait either, ” he mumbled softly. - And they’d shared a cute moment last night, but in the morning, Harry was a bit bothered, and there was some tension. Harry opened Y/N’s mail. “Hey, baby, ” she’d come downstairs early in the morning, wrapping her arms around his shoulders from behind, seeing as he sat having a cup of coffee. “Hey, lovey, ” he kissed her arm since it was right near his lips. “Made you some coffee. It’s in the kitchen, didn’t want it to get cold. ” “Okay, thank you, ” she said and Harry hummed as she walked to the kitchen. She came back soon, walking slowly as she yawned, sitting on the chair beside Harry with her legs folded as she had her first sip. “Babe, the mail came, ” Harry spoke. “Anything interesting? ” She laughed a little before she drank more coffee. “Well, no, but…you got a bill…” “For what? ” “Student loans? ” He asked. She was quiet as he set her coffee down. “I thought I was paying your tuition? ” “You are. Those are loans from my first year. ” “I thought I payed off all of your loans. ” “You payed off most of them. ” “ Well I was under the impression that I payed all of them and you weren’t paying any bills, ” he stated, clearly bothered. “And you knew that. ” “Okay, sorry, but I think I need to pay something for myself, ” Y/N was bothered by the fact that Harry was bothered, but tried to keep things as calm as possible. “But you didn’t tell me that. ” There was silence because Y/N wanted to ask why she has to tell him anything? “I didn’t know that you had to know about every aspect of my life. ” Harry laughed at that. “We’ve been together longer than two years I would hope I know a lot about your life, ” he shot back. “I don’t know why you’re acting so offended, ” Y/N spoke. “Because I am offended! ” Harry laughed loudly. “You lies to me. You’re keeping stuff from me, I’m supposed to be okay with that-“ “Oh my gosh, Harry, please. Don’t act like this is so serious. So what, I’m paying my student loans, I don’t think it’s that much of a problem. You’re talking like I’ve been meeting up with someone in private and you just found out. I’m not keeping things from you or lying to you. I just didn’t find it worth mentioning. You don’t mention when you pay the water bill or the gas bill, do you? No, ” she answered for him. “I love how you think I’m okay with that though. ” “I’m allowed to pay something for myself! You pay everything around here! ” “Because I can, ” his eyes widened a little. “When you pay things, that I know you can’t afford from your internship, it makes me feel guilty. I hate when you pay for things because I know I work hard so that you don’t have to. I’m in a well enough position where I can pay everything for you and you haven’t got to waste a cent of your own. I feel bad when you do. I feel like I’m not doing my job. ” Y/N sighed. Sure, they raised their voices a bit but they always tried to remain as calm as possible in arguments. She reached for his hand and he let her. “Baby, I know you feel like you’re supposed to support me one hundred percent, and I hear what you’re saying and I get it—but you have to understand where I’m coming from too. I feel bad enough that you pay for everything. I feel bad that you paid for my entire college education-“ “No I didn’t, ” he spoke, because of the loans she was paying that he just discovered. “Harry, ” she sighed. “I feel useless when you pay for everything. I feel guilty for taking the money to work so hard for. ” “But baby, the only reason I work as hard as I do is to make sure you’re not spending. ‘s why I work. For you to have what you want at no cost. I love spoiling you. ” “I know, ” she hummed, rubbing her thumb over his hand. “So what’s going to be the solution to this? ” Harry asked. Y/N sighed. “I don’t know. You pay for everything, can’t you just accept it and let me pay se small one time fees? ” Harry was biting the inside of his bottom lip. “Promise to tell me if you need help in the future? ” Y/N nodded. “Fine, ” he stated. She kissed his lips softly, “thank you. ”.
Home appraiser menifee ca. Hope gap film trailer. Hope gap streaming. Thank you William Nicholson for saving my Dinard Film Festival 2019. After viewing several so un-innovative "real stories" Red Joan, Fisherman's Friends) and "social realism" films (The Last Tree, VS - even though VS's world of rap battles was fascinating) I was getting really disappointed in British cinema.
Hope Gap made up for all that. It is beautifully acted (Annette Bening is extraordinary) deep and subtle, and does carry you away. Home garden victoria cd. September 6, 2019 7:55PM PT Annette Bening plays a woman blindsided by her husband's decision to leave after three decades in William Nicholson's low-key British drama. In “Hope Gap, ” Annette Bening plays a fiercely intelligent but not nearly independent enough English housewife who has been toiling away on a project for years. A lover of literature, and poetry in particular, Bening’s character Grace is compiling a book of verses for the full range of human experience. She intends to call it “I Have Been Here Before, ” and it will serve as a kind of life preserver for the dejected and depressed, reminding that no one is experiencing hardship for the first time, and that others more eloquent have managed to put those feelings to paper, signaling the way through for all who follow. Writer-director William Nicholson intends “Hope Gap” to work in much the same way. Slow and stuffy, like a filmed play, but also considerably more nuanced and mature than your typical relationship drama, it’s the story of a marriage that ended almost entirely out of the blue after the couple had been together for 29 years. Except the split wasn’t unexpected; it had been telegraphed in tiny ways almost every day for decades, until at last, it came to a head, and the husband (played by Bill Nighy) left, enlisting his son (Josh O’Connor) to help Grace cope with the separation. It’s a difficult prospect, inspired by the divorce of Nicholson’s own parents, and the filmmaker navigates it as sensitively as possible in order to be fair to both parties. In the process, his characters’ pain, and also their resilience, serve to let others know they’re not alone. That’s a noble aim, I suppose, but a rather dreary one for audiences seeking escapism, rather than a suicide hotline — which, incidentally, is where Grace volunteers to work, channeling her newfound cynicism into a kind of surly commiseration with those worse off than she feels. Woe is the soul who suggests “Hope Gap” as a date night. A film like this is better watched at home, curled up beneath the quilt with a pint of Cherry Garcia and a box of Kleenex. More than just the metaphorical discrepancy between Grace’s expectations and the reality of her marriage, “Hope Gap” is an actual place, a scenic stretch of cliffs in Sussex, facing south toward France. It’s a perfectly lovely spot to throw oneself into the ocean — and don’t think that hasn’t occurred to Grace, although she’s none too keen about scraping her face across the white chalk limestone on the way down. Grace and her husband have shared a house not far from the cliffs for decades, firmly entrenched in their routines. Grace never finishes her tea. Edward comes home, makes a cup for himself and retreats to his desk on the other side of the house. Edward is a history professor who spends his evenings “wikiing” (correcting articles on Wikipedia), which inspires one of Nicholson’s many fuddy-duddy riffs on how modern society seems out of sync with his obsolete characters: “If you make a history mistake in a Wiki article, you click undo and revert it. ” (There’s an even more groan-worthy one later, about paying with a chip-equipped credit card: “It’s all contactless now. ”) Nicholson is a gifted writer with an impressive list of credits that includes “Unbroken, ” “Gladiator” and “Les Misérables” (nearly all of which were co-written, which makes his contributions a bit tricky to parse, although more can be told from his C. S. Lewis biopic, “Shadowlands, ” based on his own play). He gives in a bit too easily to showing his wit, which is backed by a kind of earnestness that can be uncomfortable to watch — at least to the extent that “Hope Gap” is personal, a reflection of what his parents went through. Grace adopts a dog and names it after her husband. A detail like that would be corny if someone had made it up, but here it’s just heartbreaking. In the weeks to follow, whenever their grown son Jamie comes home, he finds her sitting on the hall stairs, as if waiting for Edward to return. Again, brutal. He doesn’t let his father off easy (Edward waits until he falls for someone else — the mother of one of his pupils — before finding the courage to leave), nor does he begrudge the man his newfound bliss. When Grace confronts the other woman, the stranger matter-of-factly replies, “I think I thought there were three unhappy people, and now there’s only one. ” The final dagger. What has Jamie lost, raised in a household without real love between his parents? They felt it once, maybe — although a story about how they met (on the wrong train) suggests their son is the only good thing to come of the marriage. And even he seems stunted in matters of romance and home-building, judging by his life back in London. How much of himself has Nicholson put into Jamie? “I never asked myself if she was happy or what she was thinking, ” the young man shares early on — although casting Bening, who seems to have looped her English-accented lines, as his mother seems like the highest compliment, and the actress is excellent in all her bedraggled desperation. In any case, it seems like Edward was equally uncurious about a wife he took for granted, a wife who gets on his nerves. “You go for him, ” Jamie reproaches her. “He should fight back, ” she says. “I want a reaction. ” What she wants is reassurance. Something has been not right about their marriage for ages, and Edward is too mild-mannered to address it. We’re used to seeing Nighy play salty, extroverted characters, garrulous and good-natured, but Edward is like an old ficus, bent over by years of badgering. The more Grace picks at him, the more he retreats … until such time that he has backed himself out of the marriage entirely. Grace wants them to stay together, but it’s clear that neither Jamie nor Nicholson shares that view. The marriage has run its course. It happens. And where do people turn when it does? Well, now they’ll have “Hope Gap” to cling to — proof that someone has been here before. International production and distribution powerhouse All3Media has named former ITV and Virgin Media communications boss Mike Large as group director of communications. In the newly created role, Large will oversee corporate communications for All3Media’s expanding operations in the U. K., Europe, North America and Asia, and will report into All3Media CEO Jane Turton. Large was previously [... ] MADRID — Paris-based sales agent Best Friend Forever has dropped a first trailer for Colombian Camilo Restrepo’s feature debut “Los Conductos, ” a movie which captures the shattered mental landscape of a man on the run from a sect. Winner of last year’s Mar del Plata Work in Progress competition, Restrepo’s has scored a prime festival [... ] HBO’s “Chernobyl, ” Netflix’s “Sex Education” and indie film “Wild Rose” took top prizes at the U. K. ’s second annual CDG Casting Awards, held on Feb. 11 in London. Meant to spotlight the full breadth of the profession, the CDG Casting Awards feature competitive categories for theatre, television, film and commercials. Divided into two categories, the television [... ] Palomar, the Italian TV and film production company behind “Inspector Montalbano” and “The Name of The Rose, ” is launching a unit dedicated to documentaries to be headed by Andrea Romeo, founder and chief of Italy’s Biografilm Festival. Palomar Doc, which will become operational in March, will be developing and producing docs and doc series by [... ] Veteran festival programmer, Anderson Le has teamed up with a group of Asian-American and Asian filmmakers to launch creative studio East. Its objective is hatching pan-Asian stories for a global audience. The new outfit will have offices in Ho Chi Minh City and Los Angeles and have activities that stretch from development, financing and production [... ] The glitz of the annual Hong Kong Film Awards will be put to one side this year as a response to the coronavirus outbreak. The awards’ organizing committee said that it remains important to recognize filmmakers efforts. But the awards show will shift from its scheduled mid-April slot and change its format to avoid creating [... ] Picture Tree Intl. has secured global sales rights of Berlin comedy “Nightlife, ” directed by Simon Verhoeven, following his last film “Welcome to Germany, ” which was Germany’s comic relief to the refugee crisis. The film sold to more than 60 territories and screened at more than 50 festivals worldwide, while being the No. 1 box office hit [... ].
My fiance: The first line of my speech for you at your funeral will be My wife is dead and everything is worse now Me:😮😯😶❤. ¿Quién en agosto 2019. Hope gap movie reviews. Celebrity News & Gossip See All New movies in theaters - Blumhouse's Fantasy Island and more! Celebrating Valentine's Day, Family Day or Black History Month? Click here to see which movies are releasing in theaters this weekend! Get all the details here. Rose McGowan slams Natalie Portman's 'offensive' outfit Rose McGowan is offended by Natalie Portman's Oscar ensemble. Her Facebook post attacks Portman and other A-listers for their fake support. Click for more! Did you know a Canadian teen made a cameo in Parasite? Parasite may have been made in South Korea with a Korean cast, but did you notice the Canadian woman who made a cameo in the first few minutes of the film? Parasite's impact on the future of foreign films in Hollywood With Parasite’s win for Best Picture at the 92nd Academy Awards, it cannot be overstated just how important, and impactful, the win is. For context, in the 92-year history of the Academy Awards, only 11 foreign language films had ever been...
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Hope gap release. Hope gap youtube. Hope gap seaford. Is this even a Liam Neeson Movie. Hope gap sussex. William Nicholson's drama stars Annette Bening and Bill Nighy as an aging British couple navigating an unexpected divorce. Hope Gap arrives as a rare modern example of the old-school British playwright brand of cinema, in which the camera is trained obediently upon well-spoken actors as they precisely enunciate their well-wrought lines. Aside from the occasional drone shot that ventures out past the white cliffs to scenically take in the English Channel below, this is a film that could as easily have been made in 1949 as in 2019, which to a handful of viewers will represent a good thing but to others will seem impossibly retrograde. A mature public, which represents the target audience for veteran screenwriter William Nicholson's study of the divorce of a longtime couple played by Annette Bening and Bill Nighy, will mostly wait to catch this on home screens rather than in a cinema. Puzzling though it may be, the film's title is positively scrutable compared to that of the play it is based on, Nicholson's The Retreat From Moscow. Napoleon's humiliation, a tad grandiose a metaphor for a husband's abandonment of his presumably once-cherished wife, is mentioned briefly in the drama, which originally debuted onstage at the 1999 Chichester Festival. With John Lithgow and Eileen Atkins in the leading roles, the Broadway production was a modest success and multiple Tony Awards nominee in the 2003-04 season. Act one is set almost entirely in the cozy Seaford, East Sussex, home of Edward and Grace, whose 29th anniversary is approaching (in the stage version they've been married 33 years). Wasting no time, Nicholson fearlessly gets right to the point in exposing the couple's winterish discontent. Grace issues such tart complaints as, “Do I have to do everything? ” and “I say things. Why don't you say things? ” and then boldly inquires, “We are happy, aren't we?, ” to which Edward blandly replies, “Why wouldn't we be? ” In search of a bit of solace, Grace thereupon toddles off to Sunday mass; naturally, Edward is a non-believer. Thus is laid out the measure of Edward's displeasure. “Things are coming to a head, ” Edward, a teacher, warns his son Jamie (Josh O'Connor), who's briefly down from London and learns the news of his father's intention to leave his mother before she does. “She'll be better off without me, ” Edward insists, before adding that, oh, by the way, “There's someone else. ” When he succinctly announces all this to Grace upon her return from church, she is incredulous and insists that he stay so they can right the ship. For his part, Edward believes that saying “I'm no good for you” should be enough; all he wants is a quick exit from the excruciating situation, which he manages. The only thing missing here is a curtain coming down or a title announcing, “End of Act One. ” Every dramatic detail in this relatable microdrama is scrupulously tended to, every comma and period is in place, every sorry admission is conveyed with just the right measure of weary regret or anger, and each attempt by Grace to perform a last-minute rescue proves more pathetic than the last. What's most admirable in the writer's approach is his even-handed fairness toward both characters, his refusal to point a finger of blame or subtly take sides. Neither is more in the wrong than the other; the only thing that's unfair is that one of them has someone else to go to, while the other is left high and dry. Bening, employing a steady, all-purpose British accent, credibly registers the full measure of shock, dismay and disbelief that any woman, but perhaps especially a long-married one in her 60s, might be expected to convey. As for the older-looking Edward, he just wants to get out of the room and go somewhere to quietly read a book without Grace bothering him all the time. Nighy has often played wild, unhinged, hilarious characters, so his seriously tamped-down turn here reveals the far opposite end of his range. What's odd about this take on a long-term couple's break is that it is conducted in front of an adult son, so there's hope after the half-hour first act that Jamie, who is in his mid-20s, might emerge with a monkey wrench to twist the drama in an unexpected direction. Unfortunately, the young man, both as written and acted, proves to be a wash-out, a gaping-mouthed lad who has no spark, insight or anything useful to say and is scarcely believable as the son of his two intelligent, if emotionally imbalanced, parents. The fact that O'Connor resembles neither of the actors playing his parents can't go unnoticed, either. After a spell spent sharing Grace's self-imposed solitary misery, the film turns to the couple's first post-split encounter where they're meant to sign papers giving her full ownership of their house, which unsurprisingly doesn't go as planned. Visits to the great cliffs overlooking the Channel provide an occasional visual break (the pic's title refers to a certain spot along the coast), but nothing can conceal that the whole enterprise feels hyper-calculated in what might call an anti-Pinterish way, in that bile and biliousness are held in check. Nicholson directed one previous film, the 1830s-set romantic melodrama Firelight in 1997, and his approach here can simply be called direct and fully devoted to the support of the script. The issue is that there is no subtext or undertones, the suggestion of nuance and complexities. The characters proclaim their positions, announce what they feel and think but, despite this, we know little about them other than their feelings about the immediate subject at hand. Hope Gap may engage the mind up to a point with its pithy dialogue and resourceful players, but it offers little insight into the complexities and wages of wedlock. Production company: Origin Pictures Cast: Annette Bening, Bill Nighy, Josh O'Connor Director-s creenwriter: William Nicholson, based on his play The Retreat From Moscow Producers: David M. Thompson, Sandra McDermott Executive producers: Hugo Heppell, Nicolas D. Sampson, Arno Hazebroek, Cristos Michaels, Gavin Poolman, Alex Tate Director of photography: Anna Valdez-Hanks Production designer: Simon Rogers Costume designer: Suzanne Cave Editor: Pia Di Ciaula Music: Alex Heefes Casting: Gary Davy Venue: Toronto International Film Festival (Special Presentations) 101 minutes.
Me holding the tears throughout most of the trailer thinking I made it towards the end and then comes the train scene 😭. Hope gap year. Excelente talento señoritas. Muy hermosas todas, éxito siempre. Gran homenaje a una gran orquesta Don Medardo. Orquesta que también he admirado siempre. Gloria a Dios. The intimate, intense and loving story of HOPE GAP charts the life of Grace (Annette Bening), shocked to learn her husband (Bill Nighy) is leaving her for another after 29 years of marriage, and the ensuing emotional fallout the dissolution has on their only grown son (Josh O’Connor). Unraveled and feeling displaced in her small seaside town, Grace ultimately regains her footing and discovers a new, powerful voice.
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Hope gap tallard. Synopsis A couple's visit with their son takes a dramatic turn when the father tells him he plans on leaving his mother. Cast Crew Details Genres Director Producers Writer Editor Cinematography Production Design Popular reviews More london film festival 2019: film eight headline gala a trio of stellar performances make the poetic and surprisingly funny hope gap a rather endearing piece of filmmaking. generally well-written (until it drops a clunky line every fifteen minutes or so), we explore a 28-year marriage in its final days, presenting both sides with thought and consideration. again - because it’s worth mentioning twice - supported by wonderful performances, particularly from annette benning, hope gap is a minor triumph worthy of your time. i guess some middle class boomers will enjoy this? jesus christ Perhaps a slightly indulgent feature that nevertheless showcases some stunning performances, some poetic sequences and comedic beats that are just so wholesomly British. But JOSH I EXPECTED YOU ON THE RED CARPET WHERE WERE YOU?!!! LFF FILM 2: I WISH I enjoyed this as much as the person next to me who was belly laughing and then sobbing very audibly all throughout this. They clearly had a great time with this. You can find my review here: (LFF 2019 #12) Hope Gap is a very British film (it's probably not a good idea to play a drinking game every time a tea cup is spotted in each kitchen scene). Taking place in a small seaside town in rural England, it follows the breakup of a married couple and the fallout that it has on their lives and their adult son, who is working in tech and living out on his own in the city. The film looks at the differences that people can have in a marriage later in life and how breakups in marriages can destroy both people involved, and for the most part it’s a film that works, … This review may contain spoilers. I can handle the truth. A little bit too detached for my liking... but then again it was obviously fitting given the subject matter. All I can say was I kinda wanted more? I felt like Annette; wishing for more... something. P. s. ANNETTE I SAW YOU AND MY OH MY YOU BEAUTIFUL TALENTED HUMAN BEING IT WAS AN HONOUR TO STAND IN YOUR GENERAL VICINITY Recent reviews Victoria Film Festival + live talk with Bill Nighy The material is pretty heavy but handled well and Bening carries the film with a nuanced subdued performance. READ THE REVIEW IN FULL HERE Bacurau is a sprawling genre hybrid, a semi-futuristic Western with a strong political undercurrent. The eponymous village, located in a remote part of Eastern Pernambuco – far from civilization and difficult to access – is home to generations of outlaws, who live there in relative harmony. This, however, is soon disturbed when Bacurau quite literally disappears from the maps, and targeted killings begin. Carried out by a group of white Americans, this is a government sanctified hunt on the people of Bacurau (a clear allegory to the current state of Brazil), which leads up to a finale so bloody it could make Tarantino jealous. The stunning cinematography by Pedro Sotero, however, ensures that the… Not everyone who’s watched and reviewed this film is the only child of divorced parents where the father left the mother for a woman named Angela and it SHOWS. This was truly something. Mum and I went to see this at the cinema having no idea what the plot was and as the film went on we squeezed each other’s hands and laughed loudly and cried quietly in the dark. The handling of these flawed characters was exquisite, and while the whole thing felt a lot like a stage play, it never felt dishonest. Mum and I are both very moved, if not a little unsure what to say. Good little 3 hander drama about a marriage breakdown, well performed. "A film about a marriage breaking up after 33 years could be just about the saddest thing imaginable, second only to one about a marriage ending after 45 Years. The harsh reality of suddenly being alone at an age where it becomes harder to meet new people is terrifying; the implications that the separation creates about the past are unbearable. But rather than focusing on the shock of the event or dwelling on the misery of it, British director and celebrated screenwriter William Nicholson chooses to address the break-up by circling around it until enough time has passed for it to be seen in a more reasonable light. " Full review on Cineuropa. London film festival 2019: It’s your typical “quite nice“ film. Nice character building, charmingly funny, but mostly heartbreaking, nice landscape shots. At the same time, you don’t feel you would miss to much by skipping this. This did not seem like it would be a very good movie at ALL in its early goings, with Annette Bening playing the impossible Brit harpy who drives sweet Bill Nighy to divorce her. But it builds and deepens and has some nice moments of earned grace. Popular Lists More.
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Hope gap wiki. Hope gap trailer deutsch. Hope Gap is an upcoming family drama film written and directed by William Nicholson. Premise Edit A family deals in the aftermath of the shock revelation that a husband plans to end his 29 year marriage to his wife. Cast Edit Annette Bening as Grace Bill Nighy as Edward Josh O'Connor as Connor Aiysha Hart as Jess Production Edit The project was announced on October 31, 2017, with William Nicholson helming and writing the story, and Annette Bening and Bill Nighy cast to play the husband and wife at the centre of the film. [1] Pre-production began on June 11, 2018, with principal photography starting on July 10. [2] Filming occurred in Seaford, Sussex. [3] Release Edit In May 2019, Roadside Attractions and Screen Media Films acquired distribution rights to the film, with a planned 2020 release. [4] References Edit External links Edit Hope Gap at the Internet Movie Database Template:William Nicholson.
Hope gap film review. Very enjoyable drama about an couple whose marriage is strained and break up and the effects on each and their grown son. Some humour but a serious film. Performances are first class and as usual Annette Bening is outstanding. John O'Connor (Gods Own Country) also is a stand out.
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2 / 5 stars 2 out of 5 stars. The Oscar nominee wrestles with an ill-fitting British accent playing a woman whose life crumbles after her husband leaves for another woman Annette Bening plays the gregarious and needy wife Grace in Hope Gap. Photograph: Robert Viglasky A s well-trodden as the subject might be, there remains something horribly compelling about watching the end of a marriage play out on screen, the uneasy little details of what happens when someone switches to I Don’t proving hard to resist. In Hope Gap, Oscar-nominated screenwriter William Nicholson’s second film as director, we’re given an all-too-familiar set-up (husband tells long-serving wife that he’s leaving her for a younger woman) and the stage is set for blistering quarrels, messy untangling and two awards-aiming performances. But despite the clear dramatic potential of the wounds of divorce, proved time and time again by films ranging from An Unmarried Woman to this Oscar season’s Marriage Story, Nicholson fails to give his film the specificity and emotional depth required to make it seem necessary. We’ve been here before and nothing in the film’s 100-minute length truly justifies why we’re back here again. In the coastal town of Seaford, Grace (Annette Bening) and Edward (Bill Nighy) share a modest life, a comfortably learned dynamic set firmly, perhaps boringly, in place after 33 years together. Grace is gregarious and needy, Edward reserved and serious, and while her desire for more affection and vocal reassurances might cause mild tension, her pleas have become part of the script they’re both used to playing out day after day, year after year. But when Edward urges their son Jamie (God’s Own Country’s Josh O’Connor) to return for the weekend, it soon becomes clear that something is brewing. Grace’s paranoia over Edward’s lack of eye contact and nervousness around her is suddenly, abruptly justified when he announces that he’s leaving her for another woman. While there’s a nervy propulsion behind these initial scenes, especially during Edward’s painful pre-dump prep, the breakup happens so soon into the film that we’re left scratching our heads over what’s to come next. It turns out the answer is largely nothing and in place of a plot, there’s a repetitive cycle of crying, beach-walking and moping that might have felt less plodding if we had more investment in the couple at its centre. Their relationship is painted with recognisably broad strokes (the nagging wife and repressed husband) and despite two inarguably accomplished actors, there’s a niggling disconnect. Nighy’s well-meaning, if unacceptably cowardly, husband is played with an affecting subtlety but a miscast Bening struggles to match him. She’s hampered with an ill-fitting British accent she’s never truly comfortable with and so much of her performance is muddied by her struggle to sound believable as a Brit that little room is left for her to seem believable as a person. It’s ultimately as awkward for her as it is for us. There are glimmers of insight along the way, particularly in how Grace compares a divorce to a murder and how spurned women are devalued in comparison with widows, but it’s mostly surface. Introducing their son as a key component is an interesting move but it’s never one that really pays off and Nicholson’s attempts to capture twentysomething life border on embarrassing. There’s the odd excursion into the city and a handful of supporting characters but it’s mostly a three-hander in a limited number of locations. Aware of how stagey this might seem, Nicholson and cinematographer Anna Valdez-Hanks do offer up some stunning coastal vistas but matched with a swelling score, we’re left craving a narrative of equal weight and as devastating as Grace’s predicament is, the pathos never comes. Divorce is painful but Hope Gap isn’t damn near painful enough. Hope Gap is showing at the Toronto film festival.
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